Sound art project KLAVDIYA has been compared to the work of Italian futurist artist Luigi Russolo and French composer and music theorist Pierre Schaeffer.
KLAVDIYA is one of the most original representatives of the improvisational scene. In her audio project, Claudia studies and uses modern voice techniques.
QUOTE
The kings of black envy will never be on the side of success. They will choose the dark side and remain in the dark as ghosts behind their backs.
Клавдия Табу
Surreal music of the XXI century in the author’s combination of various musical forms and styles. Futurism in the field of music.
Work in the field of experimental sound continues.
In my sound and noise compositions, I look for points of intersection between sound art and music. I work with timbres and complex sound textures.
Anthropogenic (artificial) and natural (natural) noises are considered as “musical” in my compositions.
Music education teaches you to think in a tonal mode. I use non-musical sounds when creating noise music. They do not have a certain tone and height.
Objects from everyday life turn into musical instruments.
Why can’t I delegate work on the project to other people?
The financing of the project should not affect its development strategy. If the project is “noticed” and it falls into the hands of a producer for whom art is in the background and commercial interest is in the first place, then this is a “risk zone”.
The soundscape I created should be in dialogue with the sound environment created by other people.